It’s easy, when picking your way down the coast toward Mexico, to live life, if not in vacation mode, then at least with a sense of urgency. You are somewhere for only a short while, and it seems only right and natural to make the most of every port you pass through. You look for their landmarks, soak up their history, search out the museums and parks and festivals that are the pride of the surrounding areas. You explore like it was your job. It is your job. You experience the newness of each place with the unabandoned excitement of a child.
Until you get There, wherever There may be. For us, it was Ensenada. Within the scope of our entire, round-the-world journey, a six month stop is nothing more than a long layover, really, and it was a welcome break from the previous year’s relentless cycle of work-and-move-on. It’s not long enough for There to feel like home, but it is more than long enough for all the little Practicalities of Life to come creeping stealthily back in to your day-to-day existence, rooting you firmly once more, in the dull, pragmatic confines of Responsible Adulthood.
Which is why, when Ken, Steve’s Dad, came to visit, we found ourselves walking into CEARTE, Ensenada’s Center for the Arts, for the first time. It’s only a handful of blocks from the marina and we’ve probably walked past its doors 50 times without going inside. Which is a shame, because there’s always something amazing going on at CEARTE. So thanks Ken, for reminding us that we are only here for a short while and it’s really important to take the time to explore the wondrous unknown.
I can’t believe how close we came to missing out on this Baja treasure. All the times we walked straight past, looking for tacos, or getting groceries, or tracking down water filters…none of those things were so important that we couldn’t carve an hour or two out of the day to meander through some of the best that Baja’s artists have to offer. The state funded CEARTE opened its doors in 2007 and is an important part of Baja California’s Institute of Culture (ICBC), which you can find out more about on Facebook, here. Nearly every night, you can go watch an incredible spectrum of musical artists perform and if your thirst for art isn’t satisfied after exploring exhibitions of work from local, national, and international artists, you can always take a class or attend a seminar. This month, they’re offering courses for painting, drawing, sculpture, and photography, alongside less traditional classes that cover creating computer-based art, like how to compose music on your laptop, or becoming proficient with Scratch.
The first exhibit we walked through was a series of paintings by Liz Durand Goytia, called Profundo Mar. You can check out more of what she’s doing on her blog, or on Facebook, or follow her on Twitter.
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The first room was huge, with very tall ceilings, yet the acoustics were so good there was no cacophony of echos to distract from the paintings.
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The Artist's introduction to her collection.
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I liked this one best.
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This was one of Eli's favorites
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Followed closely by this one.
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Steve liked this one--you can't really tell from the picture, but this painting looks different when viewed from various distances. Up close, there's the wispiest ghost of a woman stretched out across the lower right hand portion of the canvas and from the other side of the room, she is lost amidst the riot of color.
The next room contained a sea of strange fabric sculptures by Miriam Medrez. It was a little creepifying, those first moments, with your eyes not quite knowing what to look at first. And once they settled on something, not quite knowing what it was you were looking at. But that passed quickly, each new sculpture a hauntingly beautiful exploration of the bizarre. Until the end, finally, when they actually started to feel like other people. It was amazing and strange.
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The Artist's introduction to her collection and her point of view.
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It was strange, at first, walking amongst these little sculptures.
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The artist is literally exploring women, from the inside, out.
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Behind Steve and Eli is a long sheet of paper containing the patterns Miriam Medrez used to create her sculptures. She gave them names, one of which was Eli.
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The wide view.
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Eli beating a hasty retreat after realizing he might be in the picture.
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Eli's giving me major stinkeye after realizing he just got caught in the frame. One of the great joys of being a parent is torturing your teenage children.
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By the time we got to this alcove, the sculptures really started feeling more alive than not. It was eerie and weird, but in a good way.
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These guys, especially--you kind of felt like they might get up and walk out at any moment.
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More of Miriam Medrez's thoughts on her collection.
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I really liked these three.
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I was wishing that my Spanish was good enough that I could accurately interpret flowery, cursive script.
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When he first saw these sculptures, Steve said, "Wow! Nancy Westerfield would really love them." She's a friend of the family and a San Luis Obispo artist of many talents, one of which is creating a line of Dead Dollies. I think there are still a few available at California Blonde in San Luis Obispo.
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My take on this is that dealing with your hair is a pain no matter where in the world you live.
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Totally kept expecting her to move when I wasn't looking.
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She seems to be carrying the weight of all the people she knows on the eggcase thing sprouting from her back.
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Deliciously Creepifying
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A quilting project gone wrong, I guess...it's bad if it puts you in the fetal position.
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This was mounted vertically, on the wall.
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Again, wishing I could read the script panel better.
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Another one of my favorites.
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Steve and Ken are trying to figure this one out, while Eli is shooting laser beams from his eyes at me for taking a picture with him in it. Can you feel the heat?
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Another one hanging vertically on the wall.
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Close-up view of the Eggcase girl's face.
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I got as far as the word pequeña and then ran out of vocabulary.
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I think she and the Eggcase girl share a similar condition.
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A very advanced form of meditation?
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I liked this picture because Nala used to do this when I was in my wheelchair.
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After we were done touring the exhibits, we went outside and enjoyed a snack from the coffee shop. Eli took this picture.
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This is on one of the exterior walls. It's called Dionysus. Again, one of Eli's.
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And he wanted to throw in a version with the solarization filter because it just looks so freaking cool.
Written by tamiko
Topics: A Festival of Awesomeness, Art, Eli, Ensenada, Family, Fun, Mexico, Nala, Pics, Ports of Call, Steve, Tamiko, The Cruising Life